Jump to content

Cinderella (1950 film)

From Wikipedia, the free encyclopedia

Cinderella
Theatrical release poster
Directed by
Story by
Based on"Cinderella"
by Charles Perrault
Produced by
Starring
Edited byDonald Halliday
Music by
Production
company
Distributed byRKO Radio Pictures
Release dates
  • February 15, 1950 (1950-02-15) (Boston)
  • March 4, 1950 (1950-03-04) (United States)
Running time
76 minutes
CountryUnited States
LanguageEnglish
Budget$2.2 million[1]
Box office$182 million[2]

Cinderella is a 1950 American animated musical fantasy film produced by Walt Disney Productions and released by RKO Radio Pictures. Based on Charles Perrault's 1697 fairy tale, it features supervision by Ben Sharpsteen. The film was directed by Wilfred Jackson, Hamilton Luske, and Clyde Geronimi. The film features the voices of Ilene Woods, Eleanor Audley, Verna Felton, Rhoda Williams, James MacDonald, and Luis van Rooten.

During the early 1940s, Walt Disney Productions had suffered financially after losing connections to the European film markets due to the outbreak of World War II. Because of this, the studio endured commercial failures such as Pinocchio, Fantasia (both 1940) and Bambi (1942), all of which would later become more successful with several re-releases in theaters and on home video. By 1947, the studio was over $4 million in debt and was on the verge of bankruptcy. Walt Disney and his animators returned to feature film production in 1948 after producing a string of package films with the idea of adapting Charles Perrault's Cendrillon into an animated film.[3]

Cinderella was released to theatres on February 15, 1950. It received critical acclaim and was a box office success, making it Disney's biggest hit since Snow White and the Seven Dwarfs (1937) and helping reverse the studio's fortunes.[3] It also received three Academy Award nominations, including Best Scoring of a Musical Picture, Best Sound Recording, and Best Original Song for "Bibbidi-Bobbidi-Boo".

The film was followed by two direct-to-video sequels, Cinderella II: Dreams Come True (2002) and Cinderella III: A Twist in Time (2007), and a live-action remake in 2015. In 2018, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".[4]

Plot

[edit]

When Cinderella is a young girl, her widowed father marries Lady Tremaine, a widow with two daughters of her own, but dies shortly after. Jealous of her stepdaughter's beauty and determined to forward her own daughters' interests, Lady Tremaine orders Cinderella to become a scullion in her own château, overburdening her with chores. Cinderella's stepsisters, Anastasia and Drizella, also take advantage of her meekness, mocking her and adding to her workload. Despite this, Cinderella remains kind of heart, obediently doing her chores whilst taking care of the mice and birds that live in the château, making friends of them, mainly of two mice named Jaq and Gus. She also protects them from being eaten by her stepmother's cat Lucifer, who makes her duties even harder in retaliation.

One day, the local King becomes impatient for his son, the prince, to provide him with grandchildren and invites all the eligible maidens in the kingdom to a royal ball, so that the prince will choose one as his wife. Wanting to attend, Cinderella finds a dress of her late birth mother's to fix up. Fearing she will upstage them at the ball, Lady Tremaine and the stepsisters deliberately keep her busy with no time to spare. Jaq, Gus, and the other animals decide to fix up the dress for Cinderella, using beads and a sash discarded by the stepsisters. However, when Cinderella attempts to go to the ball with her family, the stepsisters recognize their belongings and angrily tear the dress apart, before leaving Cinderella behind. A distraught Cinderella runs out to the garden in tears, where she is met by her fairy godmother, who has come to help. She transforms a pumpkin into a carriage; Jaq, Gus, and two other mice into horses; Cinderella's old horse Major into a coachman; and her bloodhound Bruno into a footman. The fairy godmother also bestows Cinderella a shimmering ball gown and glass slippers, but warns her that all the magic will end on the stroke of midnight.

Cinderella arrives at the ball, and is not recognized by the stepsisters, although Lady Tremaine believes something is familiar about her. The prince is instantly smitten, so the King orders the Grand Duke to make sure the romance goes without a hitch. The duke prevents anyone from interfering as Cinderella and the Prince dance a waltz and wander out to the palace grounds, falling deeper in love. However, when Cinderella hears the clock tolling midnight, she runs away before she and the Prince can exchange names. Despite the efforts of the Grand Duke, Cinderella flees the palace, losing one of her slippers on the staircase. The palace guards pursue, but when the magic ends on the stroke of 12, Cinderella and the animals revert to their former appearances and hide in the woods. Cinderella discovers the other glass slipper is still on her foot, and takes it home with her.

The Prince promises he will marry none but the girl who fits the glass slipper. The King orders the Grand Duke to try the shoe on every girl in the kingdom until he finds a match. When the news reaches the chateau, Cinderella is shocked to realize it was the Prince she met. Hearing Cinderella humming the waltz from the ball, Lady Tremaine realizes the truth and locks Cinderella in her attic bedroom. While the stepsisters unsuccessfully try on the slipper, Jaq and Gus steal the key back from Lady Tremaine. As they take the key to Cinderella, Lucifer attempts to stop them, but the birds summon Bruno who scares Lucifer out of the house until he jumps out of the tower's window. A freed Cinderella hurries to meet the Grand Duke. In a last effort to prevent Cinderella from overshadowing her daughters, Lady Tremaine causes a page to trip and break the glass slipper. Cinderella reveals she has the other slipper, which the Grand Duke places on her foot, much to Lady Tremaine's shock. Cinderella and the Prince are married, and share a kiss as they set off in a carriage for their honeymoon.

Voice cast

[edit]
  • Ilene Woods as Cinderella,[5] a well-meaning and hard-working young woman who is reduced to being a servant by her stepmother and stepsisters.[6][7]
  • Eleanor Audley as Lady Tremaine,[8] Cinderella's cruel and conniving stepmother who envies her stepdaughter's charm and beauty.[9]
  • Verna Felton as the Fairy Godmother, an endearing but slightly addled matron who enables Cinderella to attend the ball.[10][11]
  • Rhoda Williams and Lucille Bliss as Drizella and Anastasia Tremaine,[12] Lady Tremaine's spoiled and awkward daughters and Cinderella's stepsisters.[13]
  • James MacDonald as Jaq and Gus,[14] Cinderella's loyal and helpful mice friends.
    • MacDonald also voiced Bruno,[12] Cinderella's pet dog.
  • Luis van Rooten as The King,[14] the Prince's loud and short-tempered father who wants his son to get married and have children.[15]
    • Van Rooten also voiced the Grand Duke,[14] the King's fussy majordomo and confidant.
  • William Edward Phipps (uncredited) as Prince Charming,[12] the King's son, who falls in love with Cinderella.
    • Mike Douglas (uncredited) provided the singing voice for Prince Charming.[7]
  • Marion Darlington (uncredited) as Cinderella's bird friends.
  • June Foray (uncredited) as Lucifer,[12] Lady Tremaine's mean-spirited cat who attempts to hunt down Jaq and Gus.

Betty Lou Gerson was the uncredited narrator in the prologue.[12] Lucille Williams, Thurl Ravenscroft, Clint McCauley, June Sullivan and Helen Seibert provided uncredited voices for Perla and the other mice. John Woodbury provided uncredited additional voices.

Production

[edit]

Story development

[edit]

Walt Disney first adapted Charles Perrault's 1697 fairy tale "Cinderella" as part of his cartoon shorts series for the Laugh-O-Gram Studio in 1922.[16] He was interested in producing a second version in December 1933 as a Silly Symphony short; Burt Gillett was attached as the director while Frank Churchill was assigned as the composer. A story outline included "white mice and birds" as Cinderella's playmates. To expand the story, storyboard artists suggested visual gags, some of which ended up in the final film.[17] However, by early 1938, the story proved to be too complicated to be condensed into a short so it was suggested as a potential animated feature film, starting with a fourteen-page outline written by Al Perkins.[18][19] Two years later, a second treatment was written by Dana Cofy and Bianca Majolie, in which Cinderella's stepmother was named Florimel de la Pochel; her stepsisters as Wanda and Javotte; her pet mouse Dusty and pet turtle Clarissa; the stepsisters' cat Bon Bob; the Prince's aide Spink, and the stepsisters' dancing instructor Monsieur Carnewal. This version stuck closely to the original fairy tale until Cinderella arrives home late from the second ball. Her stepfamily then imprisons Cinderella in a dungeon cellar. When Spink and his troops arrive at the la Pochel residence, Dusty takes the slipper and leads them to free Cinderella.[20]

By September 1943, Disney had assigned Dick Huemer and Joe Grant to begin work on Cinderella as story supervisors and given a preliminary budget of $1 million.[21] However, by 1945, their preliminary story work was halted.[22] During the writing stages of Song of the South (1946), Dalton S. Reymond and Maurice Rapf quarreled, and Rapf was reassigned to work on Cinderella.[23] In his version, Cinderella was written to be a less passive character than Snow White, and more rebellious against her stepfamily. Rapf explained, "My thinking was you can't have somebody who comes in and changes everything for you. You can't be delivered on a platter. You've got to earn it. So in my version, the Fairy Godmother said, 'It's okay till midnight but from then on it's up to you.' I made her earn it, and what she had to do to achieve it was to rebel against her stepmother and stepsisters, to stop being a slave in her own home. So I had a scene where they're ordering her around and she throws the stuff back at them. She revolts, so they lock her up in the attic. I don't think anyone took (my idea) very seriously."[24]

In spring 1946, Disney held three story meetings, and subsequently received treatment from Ted Sears, Homer Brightman, and Harry Reeves dated March 24, 1947. In the treatment, the Prince was introduced earlier in the story reminiscent of Snow White and the Seven Dwarfs (1937),[25] and there was a hint of the cat-and-mouse conflict. By May 1947, the first rough phase of storyboarding was in the process, and an inventory report that same month suggested a different approach with the story "largely through the animals in the barnyard and their observations of Cinderella's day-to-day activities".[25]

Following the theatrical release of Fun and Fancy Free (1947), Walt Disney Productions' bank debt declined from $4.2 million to $3 million.[26] Around this time, Disney acknowledged the need for sound economic policies but emphasized to the loaners that slashing production would be suicidal. To restore the studio to full financial health, he expressed his desire to return to producing full-length animated films. However, Walt's brother Roy O. Disney was reluctant to greenlight another film and asked Walt to consider selling the studio and retiring with the money they had. After arguing for weeks, Roy eventually conceded and allowed a new feature length animated film to be made.[27] By then, three animated projects—Cinderella, Alice in Wonderland (1951), and Peter Pan (1953)—were in development. Disney felt the characters in Alice in Wonderland and Peter Pan were too cold, while Cinderella contained elements similar to Snow White, and greenlit the project. Selecting his top-tier animation talent, Ben Sharpsteen was assigned as supervising producer while Hamilton Luske, Wilfred Jackson, and Clyde Geronimi became the sequence directors.[28] Nevertheless, production on Alice resumed so that both animation crews would effectively compete against each other to see which film would finish first.[29]

By early 1948, Cinderella had progressed further than Alice in Wonderland, and was fast-tracked to become the first full-length animated film since Bambi (1942).[25] During a story meeting on January 15, 1948, the cat-and-mouse sequences began to grow into an important element in the film so much that Disney placed veteran story artist Bill Peet in charge of the cat-and-mouse segments.[30]

By the late 1940s, Disney's involvement during production had shrunken noticeably. As he was occupied with trains and the filming of Treasure Island (1950), the directors were left to exercise their own judgment more on details.[31] Although Disney no longer held daily story meetings, the three directors still communicated with him by mailing him memoranda, scripts, Photostats of storyboards, and acetates of soundtrack recordings while he was in England for two and a half months during the summer of 1949. When Disney did not respond, work resumed and then had to be undone when he did.[32] In one instance, when Disney returned to the studio on August 29, he reviewed Luske's animation sequences and ordered numerous minor changes, as well as a significant reworking of the film's climax. Production was finished by October 13, 1949.[33]

Casting

[edit]

Around 380 applicants auditioned for the role of Cinderella,[34] until Ilene Woods was cast in March 1948.[35] Mack David and Jerry Livingston had asked Woods to sing on several demo recordings of the songs. They had previously known her from her eponymous radio show, which was broadcast on ABC. The show featured fifteen minutes of music, in which David and Livingston had their music presented.[36] Two days later, Woods received a telephone call from Disney, with whom she immediately scheduled an interview. Woods recalled in an interview with the Los Angeles Times, "We met and talked for a while, and he said, 'How would you like to be Cinderella?'," to which she agreed.[37]

For the role of Lucifer, a studio representative asked June Foray if she could provide the voice of a cat. "Well, I could do anything," recalled Foray, "So he hired me as Lucifer the cat in Cinderella".[38]

Animation

[edit]

Live-action reference

[edit]

Walt [Disney] insisted we plan Cinderella more carefully than prior films. We shot it all in live-action first, so that we could evaluate it, because we couldn't afford to make changes in the animation. The animation had to be right the first time. The live-action was done without costumes or set. We'd work on a lonely soundstage to see whether the scenes were going to work. Would they be too long? Too short? Will it hold your interest?

Frank Thomas on using the live-action reference for Cinderella[39]

Starting in spring 1948, actors were filmed on large soundstages mouthing to a playback of the dialogue soundtrack.[40] Disney had previously used live-action reference on Snow White and the Seven Dwarfs (1937), Pinocchio (1940), and Fantasia (1940), but as part of an effort to keep the production cost down, the footage was used to check the plot, timing, and movement of the characters before animating it.[41] The footage was then edited frame-by-frame onto large Photostat sheets to duplicate, in which the animators found too restrictive as they were not allowed to imagine anything that the live actors did not present since that kind of experimentation might necessitate changes and cost more money. Additionally, the animators were instructed to draw from a certain directorial perspective to avoid difficult shots and angles.[42] Frank Thomas explained, "Anytime you'd think of another way of staging the scene, they'd say: 'We can't get the camera up there'! Well, you could get the animation camera up there! So you had to go with what worked well in live-action."[41]

Walt Disney hired actress Helene Stanley to perform the live-action reference for Cinderella, allowing artists to draw animated frames based on the movements of the actress.[6] She later did the same kind of work for the characters of Princess Aurora in Sleeping Beauty (1959) and Anita Radcliffe in One Hundred and One Dalmatians (1961).[6] Animators modeled Prince Charming on actor Jeffrey Stone, who also provided some additional voices for the film.[43] Claire Du Brey served as the live-action reference for the Fairy Godmother,[44] although the design for the character was based on Mary Alice O'Connor (the wife of layout artist Ken O'Connor).[45]

Character animation

[edit]

By 1950, the animation board, which had been established as early as 1940 to help with the management of the animation department,[46] had settled down to nine supervising animators, including Frank Thomas, Ollie Johnston, Les Clark, Wolfgang Reitherman, Eric Larson, Ward Kimball, Milt Kahl, John Lounsbery, and Marc Davis.[47] Although they were still in their thirties, they were jokingly referred by Disney as the "Nine Old Men" after President Franklin D. Roosevelt's denigration of the Supreme Court.[48]

Walt Disney referred to Cinderella's dress transformation, animated by Marc Davis, as his most favorite piece of animation.[49]

Eric Larson and Marc Davis were both tasked with designing and animating Cinderella.[50] Larson was the first to animate the character whom he envisioned as a "sixteen-year-old with braids and a pug nose".[51] However, Disney grew displeased with this approach and assigned Davis as the second supervising animator,[39] whose designs suggested a "more the exotic dame" with a long swan-like neck.[51] To minimize the differences and set the final design, Disney assigned animator Ken O'Brien who, as Larson said, made "his gals and Marc's gals look like the same gal."[39] Due to the extensive use of the live-action reference for the film, Helene Stanley's physical features also influenced the character's final appearance.[52]

Frank Thomas was assigned as the supervising animator of Lady Tremaine,[53] which he was "astounded" with,[54] since he had previously mainly specialized in more "charming" characters, like Pinocchio or Bambi.[55]

Milt Kahl was the directing animator of the Fairy Godmother, the King, and the Grand Duke.[55] Originally, Disney intended for the Fairy Godmother to be a tall, regal character as he viewed fairies as tall, motherly figures (as seen in the Blue Fairy in Pinocchio (1940)), but Kahl disagreed with this characterization. Following the casting of Verna Felton, Kahl managed to convince Disney of his undignified concept of the Fairy Godmother.[30]

Unlike the human characters, the animal characters were animated without live-action reference.[56] During production, none of Kimball's designs for Lucifer had pleased Disney. After visiting Kimball's steam train at his home, Disney saw his calico cat and remarked, "Hey—there's your model for Lucifer".[57] Reitherman animated the sequence in which Jaq and Gus laboriously drag the key up the flight of stairs to Cinderella.[58]

Music

[edit]
Cinderella
Soundtrack album by
Various artists
ReleasedFebruary 4, 1997
LabelWalt Disney

In 1946, story artist and part-time lyricist Larry Morey joined studio music director Charles Walcott to compose the songs. Cinderella would sing three songs: "Sing a Little, Dream a Little" while overloaded with work, "The Mouse Song" as she dressed the mice, and "The Dress My Mother Wore" as she fantasizes about her mother's old wedding dress. To recycle an unused fantasy sequence from Snow White, the song, "Dancing on a Cloud" was used as Cinderella and the Prince waltz during the ball. After the ball, she would sing "I Lost My Heart at the Ball" and the Prince would sing "The Face That I See in the Night." However, none of their songs were used.[24]

Two years later, Disney turned to Tin Pan Alley songwriters Mack David, Jerry Livingston, and Al Hoffman to compose the songs.[59] They were the first professional composers to be hired outside the production company.[3] The trio had previously written the song "Chi-Baba, Chi-Baba" that Disney heard on the radio and decided would work well with the Fairy Godmother sequence. They finished the songs in March 1949.[60] In total six songs were performed in the film: "Cinderella", "A Dream Is a Wish Your Heart Makes", "Oh, Sing Sweet Nightingale", "The Work Song", "Bibbidi-Bobbidi-Boo", and "So This Is Love".

Oliver Wallace and Paul Smith composed the score, but only after the animation was ready for inking, which was incidentally similar to scoring a live-action film. This was a drastic change from the earlier Disney animated features in which the music and action were carefully synchronized in a process known as Mickey Mousing.[31]

The film also marked the launching of the Walt Disney Music Company. The soundtrack was also a first in using multi-tracks for vocals – with the song "Oh, Sing Sweet Nightingale", Ilene Woods recorded a second and third vocal track to enable her to sing harmony with herself.[3]

On February 4, 1950, Billboard announced that RCA Records and Disney would release a children's album in conjunction with the theatrical release.[61] The RCA Victor album release sold about 750,000 copies during its first release, and hit number-one on the Billboard pop charts.[62]

On September 12, 1995, a special edition of the soundtrack entitled Walt Disney Records Presents The Music of Cinderella was released to coincide with the film's re-release on home video. The album opened with cover versions of the songs from the film including Linda Ronstadt singing "A Dream is a Wish Your Heart Makes" in English and Spanish, Take 6 singing "The Work Song", James Ingram singing "So This Is Love", David Benoit and David Sanborn performing a jazz medley from the film, and Bobby McFerrin's take on "Bibbidi-Bobbidi-Boo".[63]

The soundtrack for Cinderella was released by Walt Disney Records on CD and audio cassette on February 4, 1997, and included a bonus demo.[64] On October 4, 2005, Disney released a special edition of the soundtrack album of Cinderella, for the Platinum Edition DVD release, which includes several demo songs cut from the final film, a new song, and a cover version of "A Dream is a Wish Your Heart Makes".[65] The soundtrack was released again on October 2, 2012, and consisted of several lost chords and new recordings of them.[66] A Walmart exclusive limited edition "Music Box Set" consisting of the soundtrack without the lost chords or bonus demos, the Song and Story: Cinderella CD and a bonus DVD of Tangled Ever After was released on the same day.[67]

In conjunction with the film's 65th anniversary, the soundtrack for Cinderella was re-released in 2015 as part of the Legacy Collection.[68]

Songs

[edit]

Original songs performed in the film include:

No.TitlePerformer(s)Length
1."Cinderella (Main Title)"Marni Nixon & The Jud Conlon Chorus 
2."A Dream Is a Wish Your Heart Makes"Ilene Woods 
3."Oh, Sing Sweet Nightingale"Ilene Woods 
4."The Work Song"Jimmy MacDonald & Chorus 
5."Bibbidi-Bobbidi-Boo"Verna Felton 
6."So This Is Love"Ilene Woods & Mike Douglas 

Release

[edit]

The film was originally released in theaters on February 15, 1950, in Boston, Massachusetts.[69] It also screened at the inaugural edition of the Berlin International Film Festival in June 1951, where it won the Golden Bear for Best Music Film.[70] Cinderella was re-released in 1957, 1965, 1973, 1981 and 1987.[3] Cinderella also played a limited engagement in select Cinemark Theatres from February 16–18, 2013.[71] To celebrate Disney's 100th anniversary, the film was re-released in cinemas across the UK from August 25 to 31, 2023,[72] and Latin American theaters from October 12 to 18, 2023, alongside Toy Story (1995).[73]

Box office

[edit]

The film was Disney's greatest box office success since Snow White and the Seven Dwarfs,[33] earning nearly $4.28 million in distributor rentals (the distributor's share of the box office gross) from the United States and Canada.[74] It was the fifth highest-grossing film released in North America in 1950. It was the fifth most popular movie at the British box office in 1951.[75] The film is France's sixteenth biggest film of all time in terms of admissions with 13.2 million tickets sold.[76]

The success of Cinderella allowed Disney to carry on producing films throughout the 1950s by which the profits from the film's release, with the additional profits from record sales, music publishing, publications, and other merchandise gave Disney the cash flow to finance a slate of productions (animated and live-action), establish his own distribution company, enter television production, and begin building Disneyland during the decade, as well as developing the Florida Project, later known as Walt Disney World.[55]

Cinderella has had a lifetime domestic gross of $93 million,[2][77][78][79] and a lifetime worldwide gross of $182 million across its original release and several reissues.[2] Adjusted for inflation, and incorporating subsequent releases, the film has had a lifetime gross of $565 million.[80]

Critical response

[edit]

The film became a critical success garnering the best reception for a Disney animated film since Dumbo. In a personal letter to Walt Disney, director Michael Curtiz hailed the film as the "masterpiece of all pictures you have done." Producer Hal Wallis declared, "If this is not your best, it is very close to the top."[81] A review in Chicago Tribune remarked: "The film not only is handsome, with imaginative art and glowing colors to bedeck the old fairy tale, but it also is told gently, without the lurid villains which sometimes give little tots nightmares. It is enhanced by the sudden, piquant touches of humor and the music which appeal to old and young."[82] Time magazine wrote that "Cinderella is beguiling proof that Walt Disney knows his way around fairyland. Harking back to the style of Snow White and the Seven Dwarfs (1937), a small army of Disney craftsmen have given the centuries-old Cinderella story a dewy radiance of comic verve that should make children feel like elves and adults feel like children."[83]

However, the characterization of Cinderella received a mixed reception. Bosley Crowther of The New York Times wrote, "The beautiful Cinderella has a voluptuous face and form—not to mention an eager disposition—to compare with Al Capp's Daisy Mae." However, criticizing her role and personality, Crowther opined, "As a consequence, the situation in which they are mutually involved have the constraint and immobility of panel-expressed episodes. When Mr. Disney tries to make them behave like human beings, they're banal."[84] Similarly, Variety claimed the film found "more success in projecting the lower animals than in its central character, Cinderella, who is on the colorless, doll-faced side, as is the Prince Charming."[85]

Contemporary reviews have remained positive. Roger Ebert of the Chicago Sun-Times awarded the film three out of four stars during its 1987 re-release.[86] Jonathan Rosenbaum of the Chicago Reader wrote the film "shows Disney at the tail end of his best period, when his backgrounds were still luminous with depth and detail and his incidental characters still had range and bite."[87] The review aggregator website Rotten Tomatoes reported the film received an approval rating of 98% based on 40 reviews with an average score of 8/10. The website's critical consensus reads, "The rich colors, sweet songs, adorable mice and endearing (if suffering) heroine make Cinderella a nostalgically lovely charmer."[88]

Accolades

[edit]
Award Category Nominee(s) Result
Academy Awards[89][3] Best Scoring of a Musical Picture Oliver Wallace and Paul Smith Nominated
Best Original Song "Bibbidi-Bobbidi-Boo"
Music and Lyrics by Mack David, Al Hoffman and Jerry Livingston
Nominated
Best Sound Recording C. O. Slyfield Nominated
Berlin International Film Festival[90] Golden Bear (Best Music Film) Wilfred Jackson Won
Large Bronze Plate (Audience Vote) Won
Hugo Awards[91] Best Dramatic Presentation Clyde Geronimi, Wilfred Jackson, Hamilton Luske, Ken Anderson,
Homer Brightman, Winston Hibler, Bill Peet, Erdman Penner,
Harry Reeves, Joe Rinaldi and Ted Sears and Charles Perrault
Nominated
National Film Preservation Board[92] National Film Registry Inducted
Satellite Awards[93] Outstanding Youth DVD Nominated
Venice International Film Festival Golden Lion Clyde Geronimi, Hamilton Luske and Wilfred Jackson Nominated
Special Jury Prize Walt Disney Won
Young Artist Awards[94] Former Child Star Life Achievement Award Lucille Bliss Won

In June 2008, the American Film Institute revealed its "10 Top 10"— the best ten films in ten "classic" American film genres—after polling over 1,500 people from the creative community. Cinderella was acknowledged as the 9th greatest film in the animation genre.[95][96]

Home media

[edit]

Cinderella was released on VHS and LaserDisc on October 4, 1988, as part of the Walt Disney Classics collection. The release had a promotion with a free lithograph reproduction for those who pre-ordered the video before its release date. Disney had initially shipped 4.3 million VHS copies to retailers, but due to strong consumer demand, more than seven million copies were shipped.[97] At the time of its initial home video release, it was the best-selling VHS title until it was overtaken by E.T. the Extra-Terrestrial (1982).[98] The VHS release was placed into moratorium (i.e., into the Disney Vault) on April 30, 1989,[99][100] with 7.2 million copies sold and having grossed $108 million in sales revenue.[101]

On October 4, 1995, a digitally remastered edition of film was released on VHS and LaserDisc as part of the "Walt Disney Masterpiece Collection", and later in the UK on November 24, 1997. Both editions were accompanied by "The Making of Cinderella" featurette. A Deluxe LaserDisc included the featurette, an illustrated, hardcover book retelling the story with pencil tests and conceptual art from the film, and a reprint of the film's artwork.[102] Disney shipped more than 15 million VHS copies, of which 8 million were sold in the first month.[103]

On October 4, 2005, Disney released the film on DVD with a digitally remastered transfer. This release was the sixth installment of the Walt Disney Platinum Editions series. According to Home Media Magazine, Disney sold 3.2 million copies in its first week, which earned over $64 million in sales.[104] The Platinum Edition was also released on VHS, but the only special feature was the "A Dream Is a Wish Your Heart Makes" music video by the Disney Channel Circle of Stars. The Platinum Edition DVD, along with the sequels to the film, went into the Disney Vault on January 31, 2008. In the United Kingdom and Ireland, a "Royal Edition" of Cinderella was released on DVD on April 4, 2011, to commemorate the UK Royal Wedding of Prince William and Catherine Middleton. This release had a unique limited edition number on every slipcase and an exclusive art card.[105]

On October 2, 2012, a 3-disc Blu-ray/DVD/Digital Copy Combo Diamond Edition was released. The Diamond Edition release also included a 2-disc Blu-ray/DVD combo and a 6-disc "Jewelry Box Set" that included the first film alongside both its sequels. A 1-disc DVD edition was released on November 20, 2012.[106] The Diamond Edition release went back into the Disney Vault on January 31, 2017.[citation needed]

Cinderella was re-released on HD digital download on June 18, 2019, with a physical media re-release on Blu-ray on June 25, 2019, as part of the Walt Disney Signature Collection commemorating the film's 70th anniversary.[107]

On March 18, 2023, Cinderella was re-released on 4K Ultra HD as a Disney Movie Club exclusive, with a SteelBook packaging release on August 1 as well as a standard release on October 17 as part of the Disney100 promotion. It utilized the 4K remastered print from the 2023 Berlin International Film Festival screening, marking it as the first animated film made during the studio's "golden era" to receive this treatment.[108] The 4K version, dubbed as the "Ultimate Restoration," began streaming on Disney+ on August 25.[109][110]

2023 4K restoration

[edit]

A 4K remastered version of the film premiered at the 73rd Berlin International Film Festival on February 19, 2023, to celebrate the 100th anniversary of the Walt Disney Company.[111] The restoration was described as a "multi-year effort" involving Disney's Restoration and Preservation team and key members of Walt Disney Animation Studios, including Eric Goldberg, Michael Giaimo, Dorothy McKim, and Bob Bagley. It involved obtaining the original 35mm Technicolor negative from the Library of Congress and re-scanning it in 4K resolution, with dirt digitally removed frame by frame to bring the film back "to its original grandeur, authentic to the artistic ambitions of the Studio's creative team, and which looks and sounds better than ever."[109] The 4K version began streaming on Disney+ on August 25.[110]

Sequels and other media

[edit]

Cultural impact and legacy

[edit]
Cinderella Castle at Walt Disney World

In 2023, Ben Mankiewicz, host of Turner Classic Movies, told Parade magazine, "Disney was on the ropes. Cinderella saved Disney."[120] He also said, "It has everything you want in a princess story, and it's done in this authentic, beautiful way."[120]

Cinderella is referred by many as one of the most recognizable tales in history. Parade magazine listed the film among the greatest animated films of all time.[121] In 2008, American Film Institute ranked Cinderella as the ninth best animated film of all time, writing: "one of the most recognizable fairytale stories ever, Cinderella has stood the test of time."[122]

See also

[edit]

References

[edit]
  1. ^ Barrier 1999, p. 401.
  2. ^ a b c D'Alessandro, Anthony (October 27, 2003). "Cartoon Coffers – Top-Grossing Disney Animated Features at the Worldwide B.O." Variety. p. 6. Retrieved November 7, 2021 – via The Free Library.
  3. ^ a b c d e f g h "25 Things You Never Knew About Disney's 'Cinderella'". Moviefone. February 15, 2015. Retrieved August 22, 2017.
  4. ^ McNary, Dave (December 12, 2018). "'Brokeback Mountain,' 'Jurassic Park,' 'My Fair Lady' Added to National Film Registry". Variety. Retrieved January 5, 2019.
  5. ^ "Remembering Ilene Woods". D23. Walt Disney Archives. July 2, 2010. Archived from the original on September 11, 2015. Retrieved January 1, 2024.
  6. ^ a b c Smith, Dave. "Cinderella Character History". Disney Archives. Archived from the original on March 31, 2010. Retrieved October 31, 2023.
  7. ^ a b Smith, Dave. ""Cinderella" Movie History". Disney Archives. Archived from the original on March 31, 2010. Retrieved October 31, 2023.
  8. ^ Buhlman, Jocelyn (June 19, 2019). "6 Enchanting Cinderella Facts Fit for Royalty". D23. Archived from the original on May 19, 2023. Retrieved October 31, 2023.
  9. ^ Dakin & Saxon 2020, p. 21.
  10. ^ Solomon 2015, pp. 48–49.
  11. ^ "Fairy Godmother". D23. Walt Disney Archives. Archived from the original on May 29, 2023. Retrieved October 31, 2023.
  12. ^ a b c d e Beck 2005, p. 54.
  13. ^ Smith, Dave. "Lady Tremaine and Stepsisters Villains History". Disney Archives. Archived from the original on April 1, 2010. Retrieved October 31, 2023.
  14. ^ a b c Maltin 1995, p. 93.
  15. ^ "Walt and the King". Walt Disney Family Museum. Archived from the original on October 28, 2008. Retrieved October 31, 2023.
  16. ^ "The Fairy Tales Walt Disney Produced in Kansas City". D23. June 6, 2013. Archived from the original on May 26, 2022. Retrieved October 31, 2023.
  17. ^ The "Cinderella" that Never Was (DVD) (Documentary film). Walt Disney Home Entertainment. 2005. Archived from the original on December 12, 2021 – via YouTube.
  18. ^ Barrier 1999, p. 397.
  19. ^ Barrier 2007, pp. 208, 361.
  20. ^ Koenig 1997, p. 74.
  21. ^ Barrier 1999, pp. 397–398.
  22. ^ Canemaker, John (2010). Two Guys Named Joe: Master Animation Storytellers Joe Grant & Joe Ranft. Disney Editions. pp. 165–166. ISBN 978-1-423-11067-5.
  23. ^ Beck 2005, p. 260.
  24. ^ a b Koenig 1997, p. 75.
  25. ^ a b c Barrier 1999, p. 398.
  26. ^ Barrier 2007, p. 205.
  27. ^ "hoosierhistorylive: Disney animator Bill Peet, illustrator and children's book author". hoosierhistorylive.libsyn.com. Retrieved June 20, 2021.
  28. ^ Thomas 1994, p. 209.
  29. ^ Gabler 2006, p. 459.
  30. ^ a b Barrier 2007, p. 219.
  31. ^ a b Barrier 2007, p. 220.
  32. ^ Barrier 1999, pp. 399–400.
  33. ^ a b Barrier 2007, p. 221.
  34. ^ Solomon 2015, p. 96.
  35. ^ Seastrom, Lucas O. (August 3, 2020). "The History, Debut, and Impact of Disney's Classic Cinderella". The Walt Disney Family Museum. Archived from the original on October 11, 2023. Retrieved February 4, 2023.
  36. ^ Bohn, Marc (2017). Music in Disney's Animated Features: Snow White and the Seven Dwarfs to The Jungle Book. University Press of Mississippi. ISBN 978-1-496-81214-8 – via Google Books.
  37. ^ McLellan, Dennis (July 3, 2010). "Ilene Woods dies at 81; voice of Disney's Cinderella". Los Angeles Times. Retrieved March 30, 2014.
  38. ^ Flores, Terry (July 26, 2017). "June Foray, Voice of 'Bullwinkle Show's Natasha and Rocky, Dies at 99". Variety.
  39. ^ a b c "The Art of "Cinderella"". The Walt Disney Family Museum. Archived from the original on October 28, 2008. Retrieved February 4, 2022.
  40. ^ Barrier 1999, p. 399.
  41. ^ a b Ohmer, Susan (1993). "'That Rags to Riches Stuff': Disney's Cinderella and the Cultural Space of Animation". Film History. 5 (2): 231–249. ISSN 0892-2160. JSTOR 27670722.
  42. ^ Gabler 2006, p. 460.
  43. ^ "Jeffrey Stone, 85, was model for Prince Charming". Big Cartoon Forum. August 24, 2012. Archived from the original on January 2, 2013. Retrieved September 21, 2012.
  44. ^ Pitts 2015, p. 62.
  45. ^ The Real Fairy Godmother (Blu-ray). Walt Disney Home Entertainment. 2012.
  46. ^ Thomas & Johnston 1981, p. 159.
  47. ^ Barrier 2007, pp. 273–274.
  48. ^ Canemaker 2001, p. 11.
  49. ^ Seastrom, Lucas O. (August 11, 2020). "Going Back to the Fairy Tale: Five Animators on Cinderella". The Walt Disney Family Museum. Retrieved February 4, 2023.
  50. ^ Deja 2015, p. 84.
  51. ^ a b Canemaker 2001, p. 70.
  52. ^ Zemler 2022, p. 21.
  53. ^ Deja 2015, p. 213.
  54. ^ Canemaker 2001, p. 188.
  55. ^ a b c From Rags to Riches: The Making of Cinderella (DVD) (Documentary film). Walt Disney Home Entertainment. 2005. Archived from the original on December 12, 2021 – via YouTube.
  56. ^ Canemaker 2001, p. 46.
  57. ^ Thomas 1994, p. 211.
  58. ^ Canemaker 2001, p. 45.
  59. ^ Koenig 1997, p. 76.
  60. ^ "Music—As Written". Billboard. Vol. 61, no. 10. March 5, 1949. p. 40. Retrieved August 7, 2017 – via Google Books.
  61. ^ "Disney, RCA Plot Biggest Kidisk Push on "Cinderella" Flick Music". Billboard. Vol. 62, no. 5. February 4, 1950. p. 16. Retrieved August 7, 2017 – via Google Books.
  62. ^ Hollis, Tim; Ehrbar, Greg (2006). Mouse Tracks: The Story of Walt Disney Records. University Press of Mississippi. p. 8. ISBN 978-1-578-06849-4.
  63. ^ "Various – The Music Of Disney's Cinderella". Discogs. 1995. Retrieved July 26, 2022.
  64. ^ "Cinderella: An Original Walt Disney Records Soundtrack". Amazon. Retrieved May 3, 2015.
  65. ^ "Walt Disney's Cinderella Special Edition Soundtrack". Amazon. Retrieved May 3, 2015.
  66. ^ "Various Artists: Cinderella (Disney): Music". Amazon. Retrieved May 3, 2015.
  67. ^ "Various: Disney Cinderella Music Box Set". Discogs. Retrieved July 23, 2021.
  68. ^ Grisham, Lori (May 7, 2014). "Walt Disney Records to release legacy collection". USA Today. Retrieved November 7, 2021.
  69. ^ "Cinderella: Detail View". American Film Institute. Retrieved May 21, 2021.
  70. ^ "PROGRAMME 1951". Berlinale. Archived from the original on November 9, 2013. Retrieved June 6, 2014.
  71. ^ "Cinemark Announces the Return of Favorite Disney Classic Animated Movies to the Big Screen". DailyFinance.com (Press release). Business Wire via The Motley Fool. February 13, 2013. Archived from the original on November 5, 2013. Retrieved May 3, 2015.
  72. ^ "DISNEY100 'CELEBRATING TIMELESS STORIES' SCREENING PROGRAMME LAUNCHES IN THE UK TOMORROW, FRIDAY 4TH AUGUST, 2023". UK Press. Retrieved October 13, 2023.
  73. ^ Pike (September 25, 2023). "Disney 100 se verá en las salas de cine de Colombia". Minuto30 (in Spanish). Retrieved October 13, 2023.
  74. ^ "All-Time Top-Grossers". Variety. January 9, 1952. p. 6. Retrieved September 29, 2020 – via Internet Archive.
  75. ^ "Vivien Leigh Actress of the Year". Townsville Daily Bulletin. December 29, 1951. p. 1. Retrieved July 9, 2012 – via National Library of Australia.
  76. ^ "Top250 Tous Les Temps En France (reprises incluses)". Archived from the original on March 31, 2018. Retrieved March 15, 2018.
  77. ^ Stevenson, Richard (August 5, 1991). "30-Year-Old Film Is a Surprise Hit In Its 4th Re-Release". The New York Times. Retrieved August 28, 2017.
  78. ^ Russell, Candice (November 22, 1991). "A Box-office Draw: A French Fairy Tale That Has Been Languishing At Disney Studios For Years, Beauty And The Beast Now Seems Destined To Join The Ranks Of The Very Best Animated Classics". Orlando Sentinel. Retrieved August 28, 2017.
  79. ^ "Cinderella". Box Office Mojo. Retrieved January 18, 2021.
  80. ^ "Top Lifetime Adjusted Grosses". Box Office Mojo. Retrieved November 7, 2021.
  81. ^ Gabler 2006, p. 477.
  82. ^ "Realistic Films and Fairy Tale Month's Best". Chicago Tribune. March 5, 1950. Section 2. Part 7, p. 3. Retrieved November 13, 2020 – via Newspapers.com. Open access icon
  83. ^ "Cinema: The New Pictures". Time. February 20, 1950. pp. 88–93.
  84. ^ Crowther, Bosley (February 23, 1950). "The Screen: Six Newcomers Mark Holiday". The New York Times. p. 33. Retrieved August 7, 2017.
  85. ^ Schoenfeld, Herm (December 14, 1949). "Film Reviews: Cinderella". Variety. p. 8. Retrieved May 14, 2020 – via Internet Archive.
  86. ^ Ebert, Roger (November 20, 1987). "Cinderella". Chicago Sun-Times. Retrieved August 7, 2017 – via RogerEbert.com.
  87. ^ Rosenbaum, Jonathan (October 26, 1985). "Cinderella". Chicago Reader. Retrieved May 14, 2018.
  88. ^ "Cinderella (1950)". Rotten Tomatoes. Fandango. February 15, 1950. Retrieved October 5, 2021. Edit this at Wikidata
  89. ^ "The 23rd Academy Awards (1951) Nominees and Winners". Academy of Motion Picture Arts and Sciences. Retrieved August 10, 2014.
  90. ^ "1st Berlin International Film Festival: Prize Winners". berlinale.de.
  91. ^ "1951 Retro-Hugo Awards". Hugo Awards. July 26, 2007. Retrieved November 1, 2008.
  92. ^ Cavna, Michael (June 20, 2019). "'Cinderella' arrives at the Library of Congress — with a fitting spot on the National Film Registry". The Washington Post. Retrieved June 20, 2019.
  93. ^ "International Press Academy website – 2005 10th Annual SATELLITE Awards". Archived from the original on February 1, 2008.
  94. ^ "21st Annual Young Artist Awards". YoungArtistAwards.org. Archived from the original on July 19, 2012. Retrieved March 31, 2011.
  95. ^ "AFI Crowns Top 10 Films in 10 Classic Genres". ComingSoon.net. June 17, 2008. Retrieved August 18, 2008.
  96. ^ "Top Ten Animation". American Film Institute. Retrieved June 18, 2008.
  97. ^ Fabrikant, Geraldine (October 17, 1989). "Video Sales Gaining on Rentals". The New York Times. Retrieved August 7, 2017.
  98. ^ Harmetz, Aljean (October 27, 1988). "'E.T.,' Box-Office Champ, Sets Video Records". The New York Times. Retrieved August 7, 2017.
  99. ^ Stevens, Mary (October 7, 1988). "'Cinderella' Arrives As Belle Of The Vcr Ball". Chicago Tribune. Retrieved August 7, 2017.
  100. ^ Cerone, Daniel (March 19, 1991). "The Seven-Year Hitch". Los Angeles Times. Retrieved August 7, 2017.
  101. ^ "Cinderella (1950)". JP's Box-Office (in French). Archived from the original on November 28, 2018. Retrieved November 27, 2018.
  102. ^ "Disney's Timeless Masterpiece 'Cinderella' Joins The Celebrated Masterpiece Collection On October 4" (Press release). Burbank, California. PRNewswire. May 22, 1995.
  103. ^ Sandler, Adam (November 26, 1995). "Casper Putting A Scare Into Cinderella". Variety. Retrieved August 7, 2017.
  104. ^ Armstrong, Josh (October 12, 2005). "Cinderella DVD creates magical sales". Animated Views. Retrieved September 17, 2019.
  105. ^ "Cinderella: Royal Edition – The official DVD website". Disney.co.uk. Retrieved April 5, 2011.
  106. ^ Katz, Josh. "Cinderella: Diamond Edition Blu-ray". Blu-ray.com. Retrieved May 3, 2012.
  107. ^ "Cinderella: Anniversary Edition". June 25, 2019. Retrieved May 24, 2019 – via Amazon.
  108. ^ Latchem, John (February 23, 2023). "Disney Movie Club Offering Exclusive 'Cinderella' 4K Combo Pack". Media Play News.com. Retrieved March 26, 2023.
  109. ^ a b Taylor, Drew (July 12, 2023). "Cinderella 4K Restoration Coming to Disney+ Next Month". TheWrap. Archived from the original on July 13, 2023.
  110. ^ a b Sarto, Debbie Diamond (July 18, 2023). "Disney+ Announces New 'Cinderella' 4K Restoration Debut". Animation World Network. Archived from the original on July 18, 2023. Retrieved August 27, 2023.
  111. ^ "Cinderella". Berlinale. Archived from the original on February 22, 2023.
  112. ^ "Disney's Cinderella KIDS". Archived from the original on October 28, 2015. Retrieved August 30, 2011.
  113. ^ Petski, Denise (November 21, 2022). "Brandy & Rita Ora Among 7 Cast In Descendants Sequel The Pocketwatch At Disney+". Deadline Hollywood. Penske Media Corporation.
  114. ^ Segarra, Edward (March 22, 2023). "'A royal occasion': Brandy, Paolo Montalban to reprise 'Cinderella' roles in 'Descendants' film". Usa Today. Retrieved March 23, 2023.
  115. ^ Disney Magic Kingdoms (Gameloft) (July 29, 2016). "Update 3: Cinderella | Trailer". YouTube.
  116. ^ Disney Magic Kingdoms (Gameloft) (April 16, 2018). "Update 19: Lilo & Stitch | Livestream". YouTube.
  117. ^ Disney Magic Kingdoms (Gameloft) (January 4, 2019). "Update 26: Mulan Part 2, Cinderella Part 3 | Livestream". YouTube.
  118. ^ Breznican, Anthony (July 14, 2017). "Wreck-It Ralph sequel will unite the Disney princesses — and Star Wars!". Entertainment Weekly. Retrieved November 4, 2018.
  119. ^ Reif, Alex (October 17, 2023). "Disney's "Once Upon a Studio" – List of Characters in Order of Appearance". LaughingPlace.com. Retrieved December 4, 2023.
  120. ^ a b Pond, Neil (August 20, 2023). "How 'Cinderella' Saved Disney and Spawned 73 Years of Princesses". Parade. Retrieved August 20, 2023.
  121. ^ Murrian, Samuel R. (October 16, 2021). "We Ranked the 51 Best Animated Movies of All Time, From Snow White to Soul". Parade. Retrieved March 7, 2022.
  122. ^ "The 10 Best Animated Movies Of All Time, According To The AFI". ScreenRant. November 28, 2021. Retrieved March 7, 2022.

Bibliography

[edit]
[edit]